Though just 29 when ANTM debuted, Banks was already a world-famous “elder” stateswoman of the global fashion industry. And to this day, “Miss Tyra” remains a viral sensation. Witness her “I was rooting for you!” meltdown’s place in the pop culture canon. Thanks to her, we know the meaning of smize and go-see. She unapologetically platformed LGBTQ+ personalities—making catwalk coach J Alexander and creative director Jay Manuel household names by celebrating their talent without reducing them to caricatures. ANTM featured trans contestant Isis King on two seasons, with minimal fanfare or controversy—a move that would surely be more fraught in today’s Bud Light-tinged climate. And the show was a star-maker: Several contestants, including Curry and Eva Marcille, went on to achieve reality TV notoriety. A few even made legitimate forays into fashion, with Yaya DaCosta, Fatima Siad and Kyla Coleman landing major A-list campaigns.
However, right from the Cycle One jump, the show’s body messaging was horrendous. “I was hoping that everybody was going to be really short and fat and ugly,” says contestant Natalie in the very first episode. “But instead, everybody’s really tall and thin and beautiful.” Clearly the implication is that these adjectives are all inseparable from and synonymous with each other. “She’s just rail thin and I love it!” raves stylist Derek Khan about contestant Elyse in a typical offhand comment. Elyse herself soon swipes at a competitor for being better able to withstand a mid-winter rooftop bikini shoot because, “She has a little more insulation than me.” Oh, and Cycle One begins with a weigh-in, administered by a jacked-up personal trainer named John. It occurs to no one to object.
After 15 years (and 24 “Cycles”) the show’s relevance naturally waned.