Directed by R.J. Cutler (the man behind Anna Wintour's The September Issue and Billie Eilish: The World’s a Little Blurry), Martha had the seasoned filmmaker diving deep into Stewart’s story. However, Stewart had some pointed critiques.
“R.J. had total access, and he really used very little,” she told The New York Times. “It was just shocking.”
In particular, Stewart took issue with scenes that portrayed her “like a lonely old lady” walking hunched over in her garden. “Boy, I told him to get rid of those. And he refused. I hate those last scenes. Hate them,” she shared.
The scenes were especially tough for her, given they were filmed shortly after a major Achilles tendon surgery. “I was limping a little,” she explained, “but again, he doesn’t even mention why—that I can live through that and still work seven days a week.”
It’s not all criticism from Stewart’s side, though. She was a fan of the documentary’s start. “It gets into things that many people don’t know anything about, which is what I like about it,” she added.